Walled In Deconstruction (2009)

Walled In Deconstruction

Costumes

The very beginning scene shows a little girl dressed in an animated night dress which highlights her innocence whilst causing the audience to instantly be sympathetic towards this character alongside a series of her scared facial expressions within harsh high key lighting and the high angle shot, which also highlights her vulnerability. 

In addition to this, the juxtaposition between Mary and Sam may cause the audience to be suspisious of Mary, who is initially portrayed as a "clean freak". She is well presented with her bright hair always being slicked neatly, her clothing is also neatly buttoned up, alongside minimal make up. She is also well presentation through her composed posture whilst talking to Mary. Her behaviour further causes suspision as she hints of a set of rules which Mary must get accustom to as well as not going to the top floor of the apartment, hinting that everything may not be as it seems.

Locations

The building has an eerie look through its gloomy grey colour, as well as the sheer size of the building, which brings across an isolated atmosphere. The building also doesn't look as though it is an apartment/hotel due to it's unwelcoming appearance. One reason for this is due to its desolated surroundings, which is juxtaposed with Mary's suburban home; its bright white colour alongside.  The power lines are in the shape of a cross which could be to symbolise death. Other icons within the opening is the image engraved in a wall, which mimics a sword; this could be to introduce a common theme within supernatural horror-violence.

Furniture

When Sam gets into her room, there is a further element of isolation as the room seems bare, which further adds to the audiences suspisions alongside the artificial lighting within the low key lighting in her apartment. Furthermore, within the room, there a few old, antique looking furniture. For example, centred in the room is a wooden rocking chair. The rooms are neatly kept which could be to further illustrate Mary's tendency to keep everything clean and well put. The glass cabinet could also be symbolic to Sam being forbidden to do what she wants due to the ghosts. Similarly, to the shelf and its objects, they are delicate (china doll) therefore they must be carefully handled.

Low Key Vs. High Key Lighting

At the very beginning of the opening, there are only scenes which have high key lighting, however after Mary's entrance into the building, generally, the scenes are of low key lighting. As well as this, after her entrance into the building, there are several mid and long shots with back lighting, which further adds suspense for the audience as a silhouette of an unidentified person is on screen. This is further emphasised when we see a sector of light as a silhouette walks across.

When Sam first enters, there is an instant juxtapositon as she stands in bright artificial lighting, whilst Mary stands behind the door in low key lighting, which further adds the audiences suspicions of Mary as the audience are left in the dark, which is symbolised by the pitch dark room which she initially comes from.

Realism

In the title scene, whilst the story is being set, there is an image of an "Official Coroner's Report", alongside pictures of former victims, which could be to make the film seem more believable, as it seems to add scientific facts. Furthermore, images of a newspaper article also adds realism to the film which may cause the audience to become cautious as well as more scared as the film goes on. Its creased and dark colour, alongside the serif font, all add to emphasise the sinister appearance as it makes the article seem quite old, which is necessary for the background story.